
But while the feel of California is more deeply ingrained in his current work than ever before, Bercea still returns to Romania to paint, picking through his own blurred memories and impressions to create paintings which range from large panoramas to small square details.
By endlessly manipulating the sense of distance between his studio Transylvania and his muses in the US, Bercea’s work takes on a sense of voyeurism, capturing both real and imagined places with a behind-the-scenes perspective.
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